Bob Scott is an experienced and versatile Sound Designer, Recording and Mix Engineer. He has an extensive resume in modern music production and acoustic music recording, editing and mixing.

Bob has acted as audio director for the Anzac Day Ceremonies in Gallipoli, Turkey, Canberra International Music Festival, Four Winds Festival in Bermaguie, Australian Festival of Chamber Music, and numerous large scale outdoor events, including Nigel Kennedy and WASO, SSO in the park etc.. and acted as sound supervisor in the Concert Hall of the Sydney Opera House.

Freelance recording credits include Australian Chamber Orchestra for the BBC series Classical Destinations, and numerous Chamber Music CDs. Also freelance engineering for ABC Classics, and ABC Classic FM.

He has worked as a recording and mix engineer for various artists including Nigel Kennedy, Sydney Symphony Orchestra, WASO, Song Company, Ensemble Offspring, Australian Chamber Orchestra, Salut Baroque, Marshall McGuire,  Genevieve Lacey, Brett Dean, Terry Riley, Synergy Percussion and Nigel Westlake.

In the non-classical world, mixes for Jackie Orszaczky, Paul Kelly, Inga Liljestr¿m, Deborah Conway, Aronas, HiFi Mike,  Abi Tucker to name a few.

Sound design credits include Brett DeanÕs ÒBlissÓ for Opera Australia(2010),Sean ParkerÕs ÒEnneaÓ for Sydney Festival (2010) with Coda, Meryl TankardÕs Kaidan with Taikoz and Timothy Constable for Sydney Festival 2008, ÒOne Week in WhiteÓ with Tomoko Mukaiyama and Nederlands Dans Theater in Aoyama, Tokyo, ÒStories of Love and HateÓ Ros Oades for Urban Theatre Projects.

Composition Credits include ÒDark, not too DarkÓ solo dance work for Alexandra Harrison, music for ÒParadise CityÓ Branch Nebula and ÒReticenceÓ for FIona Malone. Also collaborations with Synergy Percussion ÒThe Five ElementsÓ, ÒBlurÓ with Timothy Constable, and ÒTime + SpaceÓ with Fritz Hauser and Synergy.

Bob also performs regularly with ÒMothÓ, a part of Synergy Percussion, using laptops, live signal processing and the ÒsquidstrumentÓ a slightly spurious combination of fishing tackle and motion  capture techology.