Bob Scott is an experienced and versatile Sound Designer, Recording and Mix Engineer. He has an extensive resume in modern music production and acoustic music recording, editing and mixing.
Bob has acted as audio director for the Anzac Day Ceremonies in Gallipoli, Turkey, Canberra International Music Festival, Four Winds Festival in Bermaguie, Australian Festival of Chamber Music, and numerous large scale outdoor events, including Nigel Kennedy and WASO, SSO in the park etc.. and acted as sound supervisor in the Concert Hall of the Sydney Opera House.
Freelance recording credits include Australian Chamber Orchestra for the BBC series Classical Destinations, and numerous Chamber Music CDs. Also freelance engineering for ABC Classics, and ABC Classic FM.
He has worked as a recording and mix engineer for various artists including Nigel Kennedy, Sydney Symphony Orchestra, WASO, Song Company, Ensemble Offspring, Australian Chamber Orchestra, Salut Baroque, Marshall McGuire, Genevieve Lacey, Brett Dean, Terry Riley, Synergy Percussion and Nigel Westlake.
In the non-classical world, mixes for Jackie Orszaczky, Paul Kelly, Inga Liljestrøm, Deborah Conway, Aronas, HiFi Mike, Abi Tucker to name a few.
Sound design credits include Brett Dean’s “Bliss” for Opera Australia (2010),Sean Parker’s “Ennea” for Sydney Festival (2010) with Coda, Meryl Tankard’s Kaidan with Taikoz and Timothy Constable for Sydney Festival 2008, “One Week in White” with Tomoko Mukaiyama and Nederlands Dans Theater in Aoyama, Tokyo, “Stories of Love and Hate” Ros Oades for Urban Theatre Projects.
Composition Credits include “Dark, not too Dark” solo dance work for Alexandra Harrison, music for “Paradise City” Branch Nebula and “Reticence” for FIona Malone. Also collaborations with Synergy Percussion “The Five Elements”, “Blur” with Timothy Constable, and “Time + Space” with Fritz Hauser and Synergy.
Bob also performs regularly with “Moth”, a part of Synergy Percussion, using laptops, live signal processing and the “squidstrument” a slightly spurious combination of fishing tackle and motion capture technology.
BIO...
photo: Laura Friezer
